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ITEM NO. |
IMAGE |
DESCRIPTION |
PRICE |
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1388080 |
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TRUMPET HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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1388081 |
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CORNET HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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1388082 |
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FRENCH HORN HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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1388083 |
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FLUGELHORN HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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1388084 |
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TROMBONE HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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1388085 |
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TUBA HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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1388086 |
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VIOLIN HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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1388087 |
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VIOLA HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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1388088 |
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CELLO HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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1388089 |
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DOUBLE BASS HALION KONTAKT WAVE / GIGASTUDIO
8 multisamples per note The entire range of the instruments has been chromatically sampled 8 musical dynamic levels (ppp / pp / p / mp / mf / f / ff / fff) All sounds were for exactly 4 s (depending on the stereo technique between 500 ms to max. 3 s reverberation) recorded. It results an exact ending per preset All sounds were in highest quality with 24 bit and 96 kHz recorded The samples were produced without the use of artificial loops This library will be ever further developed by various playing techniques based on the volume number) and supplemented by letter [INFO] |
59.95 |
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